Tuesday, September 21, 2010
Painting with Light
I remember the first day of the first photography class I took in college.
I can picture very clearly in my mind’s eye -- now 35 years removed from that classroom -- the professor sanding before my classmates and me, looking us over, sizing us up. I remember too the first thing the professor did. He asked us: “Does anyone here know the definition of Photography”?
I remember that question very well because...none of the students, myself included, had an answer. There was a sense in the air that we students had failed our First Big Test in a class that had barely begun.
“Photography means: “Painting with Light,” the professor said, casting a chilling scowl toward a hopeless lot of pathetic wretches.
That little 35-year-old scene popped into my head early last evening as my friend Jim and I hiked down a Pacific Ocean beach in the Olympic National Park. Jim is a fellow photographer I’ve known my entire professional career. There were other hikers out on that beach last night, but they were finishing their day’s outings and were headed back toward the trailhead and their cars, as Jim and I were just getting started.
Jim and I had a plan, you see. We wanted to be on the beach when the light was good. We wanted to paint with that good light.
We hiked for about 45 minutes. The sun was beginning to sink toward the western horizon when my friend and I arrived at some ocean sea stacks we’ve visited and photographed before. We set up our camera gear and then we waited. The light got better and better. We used our cameras to play with the visual elements of the stark rock formations, and we reveled in that beautiful sunset light.
Even after the sun slipped below the horizon, the light show went on. Warm reds and oranges were replaced by cool blues.
Some time later we repacked our gear and retraced the route we had walked earlier, down the now dusky beach. Eventually the full moon rose to light the way for us, back to the trailhead and our car.
It was a perfect evening to be out.